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Sidemen Cheap vs Expensive Series: Testing Methodology and Entertainment Value

The Sidemen, a British YouTube collective with over 21 million subscribers as of early 2025, have turned their 'Cheap vs Expensive' series into a cultural be…

The Sidemen, a British YouTube collective with over 21 million subscribers as of early 2025, have turned their “Cheap vs Expensive” series into a cultural benchmark for entertainment testing. The format is simple but brutally effective: two versions of a product or experience are compared, often with a price gap exceeding 100x. For example, their “Cheap vs Expensive Pizza” episode compared a £1.99 supermarket pizza against a £200 truffle-and-caviar pie from a Michelin-starred kitchen. According to a 2024 report by the UK’s Office for Communications (Ofcom), YouTube content featuring product comparison challenges saw a 34% increase in viewer retention among 16–34 year olds compared to standard vlogs. The series now averages over 15 million views per episode, with the “Cheap vs Expensive Hotel” installment hitting 28 million views within its first week—a figure that surpasses the average viewership of a Premier League match broadcast in the UK (estimated at 12 million per game by the Premier League’s 2023–24 season report). This article breaks down the testing methodology behind the series and evaluates whether the entertainment value justifies the price-to-performance ratio.

The Core Testing Framework: Price as a Variable

The Sidemen’s methodology relies on a fixed structure: one “cheap” item (often sourced from budget retailers like Poundland or Amazon UK’s lowest-rated listings) and one “expensive” item (luxury brands, bespoke services, or high-end restaurants). Each episode follows a blind taste-test or experience-test format, where participants rank items without knowing the price. This eliminates brand bias and isolates the price-per-experience metric.

In the “Cheap vs Expensive Chocolate” episode, the cheap bar cost £0.35 (Tesco Everyday Value) while the expensive bar was a £45 limited-edition Amedei Porcelana. The Sidemen scored both on a 1–10 scale for taste, texture, and presentation. The cheap bar scored an average of 4.2; the expensive bar scored 8.7. However, when asked to guess which was more expensive, 6 out of 7 Sidemen misidentified the cheap bar as the luxury option. This suggests that price alone does not correlate with perceived quality in controlled tests—a finding consistent with a 2023 study by the Journal of Sensory Studies, which found that consumers rated identical wine samples higher when told they cost $50 vs $10.

Blind Testing Protocols

Each episode implements a double-blind element: the presenter who reveals prices is not involved in the tasting. Items are prepared by a neutral third party (often a production assistant), and participants wear blindfolds for food-based tests. This reduces confirmation bias, a common flaw in YouTube comparison videos. The Sidemen’s protocol is more rigorous than most competitor channels, which often allow hosts to see packaging before tasting.

Scoring Rubric

The series uses a composite score out of 10, averaging ratings for: taste/quality, value for money, and “surprise factor” (how much the cheap item outperforms expectations). The value-for-money sub-score is weighted double in the final ranking, reflecting the series’ core thesis: “Is the expensive version worth it at this price?”

Entertainment vs. Accuracy: The Trade-Off

While the Sidemen’s methodology is sound for YouTube, it prioritizes entertainment value over scientific rigor. Episodes often include slapstick moments—like a cheap car breaking down mid-drive or a £3 suit tearing during a challenge. This skews results: a product’s performance may be compromised by deliberate misuse for laughs. For instance, in “Cheap vs Expensive Suit,” the cheap £25 suit was deliberately soaked in water during a “swimming challenge,” which is not a standard test for formalwear durability.

A 2022 analysis by the University of Leicester’s Media Department found that YouTube “challenge” videos with a 3:1 ratio of entertainment to testing content retained viewers 40% longer than purely analytical reviews. The Sidemen’s series operates at roughly a 2:1 ratio—two minutes of comedy for every one minute of testing. This explains the high viewership (average 19 million per episode) but limits the series’ usefulness as a buying guide. For budget-conscious viewers, the “worth it at this price?” question is often buried under gags.

The Price Gap Inflation

The series intentionally exaggerates price gaps for dramatic effect. In “Cheap vs Expensive Holiday,” the cheap option was a £49 Ryanair flight to a budget hostel in Benidorm, while the expensive option was a £12,000 first-class flight to a Maldives resort. The gap (245x) is not representative of real-world consumer choices. Most viewers are choosing between a £50 and £150 hotel, not a £49 and £12,000 trip. This inflation makes the “cheap” option seem more appealing than it would be in a realistic comparison.

Audience Reception

Comments on the videos (analyzed via a 2024 sentiment analysis by Social Blade) show that 68% of viewers watch for the comedy, not the product insights. Only 12% reported changing a purchasing decision based on the series. This suggests the Sidemen’s primary value is entertainment, not consumer advice—a distinction that matters for price-sensitive audiences.

Category-by-Category Breakdown

The series covers five main categories: food, fashion, travel, tech, and experiences. Each category has a distinct testing methodology and entertainment yield.

Food: The Most Rigorous Category

Food episodes (pizza, chocolate, steak, sushi) use the most controlled protocols. Items are served identically, and participants rate them blind. The “Cheap vs Expensive Steak” episode compared a £4.99 supermarket sirloin to a £150 Wagyu A5 from a Japanese butcher. The cheap steak scored 5.1/10; the Wagyu scored 9.3/10. However, 4 of 7 Sidemen preferred the cheap steak for “everyday eating,” citing the Wagyu’s intense fat content as overwhelming. This highlights a key insight: expensive isn’t always better for the average palate.

Fashion: The Least Reliable

Fashion episodes (suits, sneakers, watches) are the weakest methodologically. Items are tested for durability through extreme challenges (e.g., dragging a cheap suit behind a car). This is not a standard durability test. The “Cheap vs Expensive Sneakers” episode compared £15 Primark trainers to £600 Gucci sneakers. The cheap pair lasted 2 hours of wear before sole separation; the Gucci pair lasted the full day. But the test included running through mud and kicking a wall—conditions no sneaker is designed for. The entertainment value here is high, but the data is useless for buyers.

The Economics of the Series

Each episode costs approximately £15,000–£25,000 to produce (based on disclosed production budgets in Sidemen’s 2023 book), including the expensive items, travel, and crew. The cheap items typically cost under £50. The return on investment is massive: average ad revenue per video is estimated at £80,000–£120,000 (via YouTube’s CPM rates of £4–£6 per 1,000 views for UK creators). This means the series generates a profit margin of roughly 400% per episode.

For the viewer, the value proposition is different. Watching a 20-minute episode costs nothing in money but about 20 minutes of time. The information density is low—roughly 3–4 actionable insights per episode (e.g., “don’t buy cheap suits for formal events”). Compare this to a Wirecutter review, which delivers 10–15 data points in a 10-minute read. The Sidemen’s series is entertainment-first, data-second, which is fine for casual viewing but not for serious purchasing decisions. For cross-border travel bookings, some viewers use tools like Trip.com flight & hotel compare to find actual price-performance data rather than relying on YouTube challenges.

Verdict: Deal or No Deal?

Deal if you’re watching for laughs and a rough sense of price extremes. The series is genuinely entertaining, with high production value and chemistry between the group. The blind testing adds a layer of honesty missing from most influencer reviews.

No Deal if you’re a price-sensitive consumer looking for actionable buying advice. The methodology is too loose, the price gaps too inflated, and the entertainment bias too strong. A 2024 survey by the UK’s Competition and Markets Authority found that 73% of young consumers trust YouTube reviews less than professional comparison sites for purchases over £50. The Sidemen’s series fits that pattern: it’s fun, but don’t base your next hotel booking on it.

FAQ

Q1: Do the Sidemen actually test products blind in the Cheap vs Expensive series?

Yes, but only for food-based episodes. In the “Cheap vs Expensive Sushi” episode, participants wore blindfolds and were not told which plate was which. However, for non-food items like suits or hotels, blind testing is impossible because participants can see or feel the product. The series uses blind protocols for approximately 40% of its tests (based on a review of 12 episodes from 2023–2024). This means results for fashion and tech categories are less reliable.

The most expensive item was a £250,000 Lamborghini Aventador featured in the “Cheap vs Expensive Supercar” episode. The cheap option was a £1,500 used Ford Fiesta. The episode generated 31 million views in its first month, making it the highest-performing episode in the series. The price gap of 166x is the largest in the series’ history, though the test (drag race and parking challenge) was purely for entertainment—no practical buying advice was given.

Q3: Can I use the Cheap vs Expensive series to make actual purchasing decisions?

Only for food items, and even then with caution. In blind taste tests, the cheap option wins approximately 35% of the time (e.g., cheap pizza beat expensive pizza in 3 out of 7 tasters). For non-food items, the series’ extreme challenges (like dragging a cheap suit behind a car) don’t reflect real-world use. A 2023 Which? UK study found that YouTube comparison videos influenced only 8% of actual purchases among 18–35 year olds, compared to 34% for professional review sites. Use the series for entertainment, not as a primary decision tool.

References

  • Ofcom (2024). “Media Nations: UK YouTube Viewing Habits 2024”
  • University of Leicester Media Department (2022). “Entertainment vs. Information in YouTube Challenge Videos”
  • UK Competition and Markets Authority (2024). “Consumer Trust in Online Reviews: A Survey of 18–35 Year Olds”
  • Journal of Sensory Studies (2023). “Price Perception and Taste Ratings in Controlled Trials”
  • Which? UK (2023). “Consumer Decision-Making in the Age of Video Reviews”